Bowls I Buy
(for several voices)
Jane Reichhold
Imagine that before you is a group of men and women. They
are standing together on risers as we did when we sang in
chorus in high school. Each person is dressed in a style of
their own choosing -- either formally, for leisure, sport or
other specific activity. However, from head to foot, all
their clothes are of one color. So the one wearing a black
suit is also wearing a black shirt, tie, socks and shoes and
the one in the pink jogging suit also has pink socks, tennis
shoes and a pink headband. You get the idea. You can see them
up there in the spotlight. Each person speaks one or more of
the voices in this poem. They speak without animation and
rarely with emotion. To you it sounds as if they are talking
to someone else -- someone up above your head who you cannot
see. So it is, when people pray and we listen. Listen.
I
bowls I buy
for bowls we broke
bumping
together
as if there was no desire
to be like bowls --
stacked
II
leaning earthward
the tall straight pine
aligns
the trunk
with the pull of the dead
opens the angle of
a door
the empty
who have joined another race
with a
foreign language
they speak to us occasionally
with
bumps, breezes and strange stones
III
dark angels
successful sip our fears
small
sparks
we give them up like feasts
from our fragile
willow-body baskets
white angels
stroke us to draw our joy
a spurt of
spirit
honey enters their every opening
they wear us as
bracelets
IV
a missing button
contentment opens as a sound
the
world falls
to the center so wide in wind
it turns our
insides out
deeply cut
more steep the coastal cliff
I am
diminished
by the space you have taken
away with your
leaving
V
red mouth
the flower gives speech
to the bee's
tongue
unrolling the sweetness
of genital touching
spring winds
the mystery body of earth
torque and
tighter
splits a woman's lips apart
the ceiling mural
marred by rain
ice breaking up
something in the creek
wants
out
the snowman bows
loses his head
VI
moonset
the soot-cold smell
of the
chimney
laying a fire
on the eastern hills
the hillock
swells into the rain
a point
my
pleasure expands
ripe, glossy vermilion earth
VII
spring-flat seas
desire pressed down
by hazy
days
would the neighbors notice
if I walked by your
house?
folding the air
a fan on a flushed cheek
I'm a
magician
coming to terms
with a bird wing
opening colors
the air that brings back
the
swallows
wanting to touch metal skin
before boarding
the plane
VIII
drawing old
the woman with years
now human
the
clay vessel becomes
birthdays in her hands
art class
the male teacher objects --
tits on
angels?
twitching wing-tired shoulders
I circle in the
nipples
morning fog
the dream not buried
deep
enough
others walk right through
disturbing it with
their eyes
IX
night so slow
to come from the coastal hills
the
gravel road
falls apart with the haste
to sink into our
turtle-selves
his shyness asked
I had never danced before
with a
woman
his breasts slightly smaller
than mine touching
mine
dusk ripples
as we move from mauve
shadows
step
out of the way before
the sureness coming
together
knotted
his biceps pressed me against
the lace of
his gown
low-cut and revealing
a few dark chest
hairs
pointed
the toes of our high heels
slid
together
in the space between my legs
a swelling in two
sizes
musk
sweetened sweat slipped
between us
shapes
rose and blue
in the hot jazz riffs
dizzy without breath
time rolled into one
past
life
we have been together before
now male; now
female
X
freely floating
the wide-sleeved wing
a
bombyx
barely remembers the cocoon
or the weaving of
the seam
cut flowers
disarray themselves into pollen
and
bluish petals
when I am loved, as now
splendor outlines
and holds
night fog
the stars burn rainbows
around our
heads
the puzzles of our bones
colored in with
light
XI
badly filmed
the couple next door
with steamy
windows
the gray bedclothes
the third person
watching
night birds
flip room wide
flutter down
fluff
themselves when an arm
reaches to turn out the light
XII
knocking
at the door
no one
there --
there
they all are
without bodies
the form and shapes
belied by
trees
pointed to by horses' rumps
the bruise groans and
moans
XIII
friends' eyes roll
into the lash-laced
corners
where we stand apart
the dog wags his
tail
and understands our liason
XIV
grass still moving
flies in the sparrow's
beak
when comes the change?
I stop being myself
when
you enter me
to end the day
the last gesture of darkness
a
woman's arm
bent toward the light
the thought stays
'til morning
XV
solstice
skeleton of light
in uterine
darkness
candles lit on festive tables
where whole
families gather
storm born
with sea light from heavy clouds
space
is fleshed out
by entities pale pink and peach
nameless
we call them -- Ah!, Oh!
XVI
hands folded
she models for the artist
in
clay
her smile shapes within
a son who looks like
him
fishing
the barbed hook
in water
that floats in
her belly
a nine-week fetus
condensed starlight
drawn to a horizontal
line
bursts forth
smashing into the
spaces
transparent holes ringing things
XVII
a wave leaps
and the wind gathers it
into a
shape
so my arms without muscles
embrace a raging
sea
XVIII
mail box
has no letter expected
yet her
apron
filled with wild roses
bulges in front of
her
long summer hours
the palm of earth holds
against
the sky
a woman erect and swollen
a calendar without
red days
quiet
the depths of the lake
show the
mountain
breathing up and down
the steep sides of our
four ways
IXX
wind cries
in the throats of gulls
their giant
home
they never leave
it never leaves them
only renting
this house on a hill
covered with
flowers
if the owner should find me
thinking they are
all mine
XX
brushes of grass
the holy words invisible
wheat
writes on wind
cut down and crushed
for our daily
bread
quiet autumn
when all the green and growing
is no
longer pressed
into the celestial half --
released from
the mold perfect
XXI
autumn gifts
around them stands
my life
saying
yes - no and thank you
dented, bent and shaped anew
my garden path
overgrown with weeds
distinctly
marked
by chirping crickets
my desire to be done
XXII
benign violence
as spring comes again
with such a
will
a woman pushes a baby
into torn stretched
flesh
women
water-caves birthing the sea
with each
tide
black lava loins green and purple
the smell . .
.
now when night waves
are overtaken by stars
shiver
and dim
the seaside cabin rocks
the spacious wooden
cradle
first light
the picture by the window
lifts from
the darkness
the crown of the hill
in the shape of a
brow
grief and joy
the two sides
of a child's
hand
going in circles until
blurred out of heart
XXIII
the bright spot
on the butterfly's wing
my rapture
goes riding
as far as this eye
wide and wondering
praises be
tickets to the greatest show
on
earth
all those souls waiting to enter
the rag and bone
boxes
XXIV
I wanted her physically
with a word she turned
to
tracks in light snow
high heeled shoes making the
sign
of hidden feminine parts
XXV
if it were spring
this desire would be
ordinary
the howling wind
and I have come across
town
to see if your lights still burn
your mind
describing me in small words
a worthless
person
yet under the eaves of my house
more than 12
swallows nest
passing clouds
in my thoughts of
you
raindrops
splash against the window
without
will; without anger
a touch of ink
the blind bird sees
we call the
muses
those souls with stories
pulling a muscle in a
finger
dark blue shapes
wind comes to a calm
sea
apologetic
I send this note to you
change
changes even water
XXVI
booming night surf
still when the light turns
on
furniture rises
out of the sea day
things
reassemble a watery existance
old carved mask
inside fitting a human
face
outward a spirit
crosses the borders of a
veil
the pass-me-not ring broken
XXVII
back in darkness
the all-eyes come close
lean and
wiggle
the skin of my arms flies up
when I wear their
feathers
as in a net
a flock of pigeons draw
sky
shapes
a coming down to my size
with their fear of
falling
walking along the sky
people drop out of
sight
beckoned by a beach
welcome tested by a stony
path
the lost and found religion
XXVIII
the smell of folds
the body makes
invisible
temples -- incense
the sense of being
earth
guardian of small goddesses
the great stag
his ancient knowing
and power
in
the evening's muted color
silhouetted before the sea
XXIX
breakfast
as ancestors of the apple
enter the gene
pool
one can go forth forever
gravenstein-wise
XXX
why skies turn slate
as Sunday roofs the
week
weakened by wind
my body hardens as a
flower
whose petals are cast down
tourists come
and find the ocean too cold
as one
who hides here
the wind is welcomed
on my burning
cheeks
alone on this island
it's the chill of winter's
coming
that surprises me
and now I know for
sure
here are no visitors
face pulled tight
against the rein
from
striving
my body forces on me
the life of a saint
pure spirit matter
I wander in a wooded lot
a
breeze to find
I am formed by the eyes
of the watching
leaves
XXXI
staircase
staring at unclimable steps
the animal
scream
and the dream flung me
back into this life
XXXII
a token of our love
broken as you take
the
moon
the bright half you leave me
as something to cling
to
XXXIII
hands off
I am nervous and you
cannot
touch
cold shapes stand at the blanket's edge
and the
nightmare leaves by closed doors
XXXIV
as I grow old
apple trees on my parent's place
in
a great wind
feebled, splintered and fell
someone else
carried them away
XXXV
wet at high tide
ancient rivers in sandstone
mark
the cliff
I've given up mourning
where I am all the
dead
XXXVI
the departed ones watch us
how we give up
ourselves
to the minutes
the flimsy veil that ties
us
to this blue-green ball
XXXVII
from the well
of the moment I draw dark
lines
strings heavy
with not-caring anymore
the
puppet show is over
a web connects
a thread holding a bucket
welds my
emptiness
I give in to not-caring
and it tips me
out
muffled in milk
the foghorn
sound
indistinct
the absence of landscape
releases
the desire to go
giving my body
back to the stars
and beyond
expands this story weighed
replayed with script
changes
XXXVIII
I love you
Yes! now and always
but with
what?
all that is left when skies
clear of crematory
smoke
alive again
the river flooded
with
driftwood
the hour is already entered
which no thought
claims
sea wind
searching for the lost thing
someone I
once was
in and then out of the damp
cave under my
mother's heart
EPILOGUE
thin membrane
such as would red
be poppies
a
bowl of several stones
to the south seven doors
Copyright © Jane Reichhold 1997.