TABLE OF CONTENTSXXI:3 October, 2006 |
LYNX | ||||
SOLO WORKS GHAZALS HOLDING YOUR HAND RETURNING by CW Hawes GIFT by CW Hawes LAST NIGHT by Michael Helsem PASSING by Dustin Neal GHAZAL FOR A DULL DAY by Laurence W. Thomas HAIBUN ASCENSION SUNDAY by Gillena Cox A HAIBUN FOR SUSANNAH by CW Hawes ORIGAMI by Elizabeth Howard SCHOOL'S OUT by Roger Jones TRAVEL HAIBUN by Larry Kimmel COMMON THEME by MONITOR THE MORNING by Sheila E. Murphy DOVE LIGHT by Sheila E. Murphy COME THE REVOLUTION by I SWEAR by Zane Parks SEQUENCES JUST THIS MORNING by Ed Baker FOR REV. BEN BORTEN by Gerard John Conforti A WHITE HORSEMAN by John Daleiden SUMI-E by Margarita Engle VISIT TO A PETTING FARM byLaryalee Fraser THE SIREN AGAIN by WHAT CAN BE TAUGHT by Michael Helsem ALLOTROPES OF REASON by Michael Helsem IN ASSISTED LIVING by Elizabeth Howard SKIPJACK SEQUENCE by M. Kei AMONG TAPERS by karina klesko THE TENDER SPOTS by Richard Magahiz YARD SALE – by Francis Masat WILDLIFE CENTER – by Francis Masat TO LORRAINE ELLIS HARR by Vasile Moldovan THE WIND by June Moreau A THIN WASH by Jane Reichhold LARVAL IN WAITING by Werner Reichhold SILENCE by R.K.Singh SUN by R.K.Singh AMONG FLOWERS by Sue Stanford SPRING 2006 by Ella Wagemakers SINGLE POEMS by Gerd Boerner Sonia Cristina Coman Barry Goodmann Ruth Holzer Jeanne Lesinski Sheila E. Murphy
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GHAZALS HOLDING YOUR HAND Here we sit: it is late at night, the movie has ended, In the grocery store, studying labels on jars of pickles, We go for a walk on the trails through the nature center Whispering sweet nothings with a nibble of your ear; Now old and grey, Akikaze, sits by the warming fire
RETURNING For seven years I gazed out of my window at the meadow before the wood Everyday the rotten apples and spent tea leaves are tossed upon the Thousands of babies coming into this world each day and each day, With my brother at Great Sand Dunes National Park climbing sand A winner and a loser and the end of the chess game; This man of the study, this seeker of knowledge,
GIFT My child bursting with joy ecstatic on Christmas morning; Sorting through the odds and ends in the drawer accumulated over years; Is there a pain equal to the pain of the precious one's goodbye? Barn swallows swooping through the air eating bugs by the ton; Walking down the street after the thunderstorm has passed; The seeker sits on the park bench and watches the children play;
Last night I wandered the place, dousing the bulbs When I stopped at the single remaining, what it made of the feeling and context, where I'd been and all the specters I thought: now I'm really here. (Whatever that implies.) snag of serrated dead fingertip-skin against silk. Michael Helsem
PASSING Hidden below two heavy feet in the midst of summer, The breeze shaking the pine trees in the front yard Dinner later than usual— the same meal again, Sneaking into the window at midnight without a mask, At dawn the ambulance spins its tires in red mud, The mailman delivers the note to the wrong address, The gun sets in the cabinet with hints of rust, Her dress colorful with each twist and turn,
GHAZAL FOR A DULL DAY I fill my coffee cup, butter a muffin, turn on the news After morning news and commercials seen ad nauseam, Wandering through pages of the nearest book, The hush of pages veils the noises from outdoors, I check the Internet to see what messages have been sent. My indefatigable cat nuzzles my hand, his hours as long as mine: Scanning the channels for something to while away the time, I wait, but the telephone remains as mute to my need My neighbors are walking their dogs or off at work. After lunch, a sandwich and a bowl of chicken noodle soup, As usual, the mail is late and when it finally arrives, Supper quickly fixed, leftovers, some second-hand dessert I scroll through reruns and repeats of ads till time to go
HAIBUN ASCENSION SUNDAY Ascension Sunday; I’m wearing white, down to my undies. Walking home from church, there is a man a few paces in from of me looking up skywards. a jetplane
A HAIBUN FOR SUSANNAH The instilling and distilling of the mind; the past thirteen years, an inward journey in which the flower returns to the seed and only then is once more a bud. high school All along the horizon the hills are calling out to the fledgling spirits. Green hills promising a place on which to stand and touch the clouds. one foot placed "All roads lead to Rome", but some are more scenic than others. Each of us the sum total of all those who traveled before us and the path-makers for those who will follow. On the mountains, it is said, dwell the gods. The sound
ORIGAMI He dreams of being an artist, tours arts and crafts shows, admires the skill of others. When he is 70, origami figures catch his eye. He buys a stack of books and paper of every color, practices hours on end, crumpled butterflies, and crippled cranes wadded in the trash. At last, a redbird with a warped wing flies from the chandelier. evening sun
SCHOOL'S OUT Fifth grade, class just dismissed. On the asphalt edge of the school ground, I am looking beyond the baseball fields, past the fence, the busy street – three months of freedom. flick flick flick
TRAVEL HAIBUN 7:00 am. i see kate off and go back to bed. a short doze later the phone rings. it's kate calling from pittsburg, 500 miles away. she's calling to say she left her car in a tow-away zone at the airport. had to, to catch her plane. it's going to get towed by the time i can drive the 80 miles to bradley anyway, so i don't hurry. work the stiffness out of my back. do chores. answer e-mail. blizzard warning by early evening i get there. ask around. look around. and find it parked in a tow-away zone, all by its lonely and unmolested! get in. drive it off. park it in a lot against kate's return. go back to my own car and set off for home, here in colrain. the promised snowstorm think of it! this morning, i'd moved from bed to bathroom to bed, a round trip of, say, 15 feet, while kate, in that same time, traveled 500 miles from home. just me and a fly
COMMON THEME Nomadic pesticides equate to boundaries unless a fickle avenue tenses half to blue. The several overt migration theories tend to wax. Why am I telling you? Eternity costs the same as fiberglass if you purchase sweeping canopies. Cacophony de-veins the silk rubbed to osmosis. I half conceive dormant vicissitudes. Are you among my briars thatched? I guess it is worm worn to be holding tanks. Eventually stars will splinter into crispy light. At which point homogeneous throwbacks may take flight. Coffers filled, exhilarating premises, once your home
MONITOR THE MORNING When able wheels are not (mis)placed beneath me I distinguish surface from the resonance of stones. No room for pebbles on the page. I think to you, with certainty of prayer. Pressed duck, rucksack, beyond-the-limit-searing scratch. The lack of flurry draws forth synonyms or homophones or objects that occur on either side of equal sign. This painting will amount to broth unless you frame it. And walls that once seemed gray recall that time occurs at once. Shoulder to should, anachronism if mismatch there be
DOVE LIGHT You have not been my child until this day when recitation channels sense of slight. My skin has not been thick enough to bear you. In an instant everything I learn is true to taste still holding you alive. A wilderness remains left center of shared pulse. This momentary lapse into fulfillment tenses blossoms that appear relaxed. Listen for tone preferred but learned. The glyph absorbing speech removes doubt shaped to glean capacity. Granularity a form of clear good feeling, daylight confused with sliver of a moon
COME THE REVOLUTION Friday night. My wife and I are having drinks. We talk about our younger days. Before we knew each other. She takes me back . . . Detroit. Mid-sixties. LaSalle and Lafayette, two fine-looking young men. Twins. Black Panthers. A young woman. Radical, white. They share a pitcher of beer. "Come the revolution, we have to kill you." Nods all around. glass crunches
I SWEAR I'm in the 3rd grade, Jimmy's in the 4th. We fight coming home from school. I swear. I just start cussing and say things I don't mean. Why did I call his mother a bitch? I like her. Jeez, she's one of the sweetest moms on the block. I tell my own mom, "The fight wasn't about anything. It was just a fight." I hope Jimmy keeps his mouth shut. Maybe he doesn't even look like he was in a fight. the new clock's charm
SEQUENCES
JUST THIS MORNING Every Little bigger be neck
FOR REV. BEN BORTEN Life is long each passing day I have lived my life I wish I could make things better
A WHITE HORSEMAN Will it end, this summer heat, Twenty-three days with no word;
Autumn winds relieve the draught;
SUMI-E hand wide brush bamboo waterfall ink slanted brush old tree
VISIT TO A PETTING FARM mercury rising... the gate corn maze the blue tourist's camera
THE SIREN AGAIN sinuous she this hand in a dream in the middle from the dream
WHAT CAN BE TAUGHT a glacier passes i wear my solitude the ambition
ALLOTROPES OF REASON Winter rose, of the two alike keys pain of waiting, rose i belong in this winter
IN ASSISTED LIVING it scuttles in the dark barn in assisted living through lace curtains she can't find her face lady in a baby bonnet she takes the dreaded road
SKIPJACK SEQUENCE at the water's edge needles of rain the wind stalks finally sighting *skipjack: traditional wooden sailboat used to fish for oysters on the Chesapeake Bay. M. Kei is a crewman aboard the skipjack Martha Lewis,one of the last skipjacks still dredging.
AMONG TAPERS August razed fields preschool fireflies – sidewalk barbed wire within
THE TENDER SPOTS Moon in eclipse Thule station swims the rock face takes breath an acid stain choked in paper no scissors to slice storms confer judging the tender spots wireframe geoid a purple bloom's spread undersea the ink rises clots mass a Sun unrecognized face so dull
(Hint: These next two poems use the title as the first line of a three-line haiku) Francis Masat placing things in front just two feet high all the Barbies gone dragonflies swirl in
Francis Masat a broken wing flapping in circles an injured pelican my reflexives too slow I share my chair
To LORRAINE ELLIS HARR "A Flight of Herons": "Snowflakes in the wind"- "Pathways of the Dragonfly": On the writing table The last "dragonfly"
THE WIND keeping the tent flap come and see one can't help I breathe in the wind is singing without having read unperturbed I want to
A THIN WASH black ink surrounds the white flowing from the wet point held up by thick jointed fingers the brush moving in a march of heartbeats skitters and skips into a rock solid moment
wind blows a line of sheets across the living room attempts and failures together brushing idea against reality’s mask curtains to hide behind pictures to draw madness
lacking visitors or friends stopping by for tea the kettle brings the water for a brush to touch the solitude of soot ground against a dark stone day upon day sketches
Werner Reichhold arcs of palms donate silently turning on a
door's eye opposite walls the size of this morning the
warmth of this hair luck of a flatter-kick the breath
bereft of its length spare bedroom guest the one jogging depending on headphones
beside his letter some sound sent
response on curtains when they open tight touch along a collapsed bath rope elastic beyond sleep a swan of
this the creek as we go by so
tender spangled spawn light embodies children squeeze the juice of black berries checking into a slow motion's
affection
SILENCE Brooding condemning Unknowable A moment of love Twisting tassels
SUN A sweating sun The sun conceals The sun not yet set Two dreamy eyes With sunrise Setting sun A dot The sun rolls Awaits the sunrise Closing its eyes Safe from sun In the changing hues Puppies groping Basking in the sun
AMONG FLOWERS asleep among flowers flies come good dog
SPRING 2006 as the tulips arrive as usual rice and fish ... nothing thunder from my hair grows
SINGLE POEMS on an open field Gerd Boerner the old clock tower Gerd Boerner slowly I release Gerd Boerner
in the tuning fork after that look Gerd Boerner
a faint voice echoes
summer heat raging Karen J. Briggs no breeze and yet Sonia Cristina Coman
same snow-drifts Sonia Cristina Coman Between two Sonia Cristina Coman
sometimes
I hobble
ninety-five
two guardians
in the morning like a snowman Barry Goodmann
blitz –
while I was busy
Craigflower Bridge –
From the lookout platform, I spy the eagle's white head, broad span.
forty-five o'clock Sheila E. Murphy
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2006. Page Copyright ©Jane Reichhold 2006. Find out more about Haiku. Renga, Sijo, Tanka, or Ghazal. Check out the previous issues of: LYNX
XXI:2, June, 2006 | ||||